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The basic story of a young criminal not quite living up to his won ideals of "not to give a damn" sidesteps out of his criminal career while dragging his younger brother into it, could have been interesting. Unfortunately the implementation is simply not good enough. As so often with Danish movies, there is little appreciation for detail thus leaving us with hoodlums talking like they've done time at a business academy rather than a prison. Dialects completely out of here and idiosyncratic bikers without bikes or even character for that matter. An ever accelerating surrealism towards the end doesn't help to clear the slow pace of this film but it does give a glimpse of what the story could have unfolded to become.

Jesse Corwood is a 31-year-old man living with his mother in Portland, New York. Obsessed with music and driven by a desire to create, but lacking a thriving local scene, Jesse records numerous songs by himself, invents 17 fictional bands, and meticulously documents their imaginary stories in his notebooks. Jesse's plan works when Rolling Stone takes interest in his label, Portland Records, but he struggles to maintain the illusion when the magazine requests photos and interviews with the bands.

Annie Druce claims she is the heir to the Duke of Portland.

Beat for Beat is a Norwegian musical "game show". 4 guest singers in groups of two, usually Norwegian, but sometimes well known Swedish or Danish singers also, join the two regular pianists and the very quirky host Ivar. There are several rounds involved, the first starting with phrases from songs hidden behind numbers. The guests pick a number, and then a word behind the number is displayed. The guest then has to sing a song (any song he/she wants) with that word in it. As more numbers are displayed, the phrase hidden behind the numbers eventually becomes obvious, and the point is won when they sing the song with that phrase. Other rounds involve guessing songs the band plays, then there's a freestyle round at the end where the artists run up to the stage as soon as they recognize a song. Rules are never enforced strictly in the show, so the singer guests frequently "steal" others' songs and points, all in good fun. Very entertaining, and the musical knowledge of everyone is ...

True love never dies, the loving heart never stops beating ... for Kerstin’s ex Thomas, who she still hopes will come back some day. Instead of Thomas, her mother Charlotte shows up at her door, mid-50s and freshly single again, too. Charlotte moves in with Kerstin and her flatmates, one of who shows her how to use a modern dating app to meet new men. As mom starts dating again, her daughter refuses to let digital reality intrude on her romantic daydreams.

一位俏皮的浪漫主义者已经积极等待她的真爱归来有好一段时间了。突然，她刚离异的母亲搬来和她一起住，还让她直面母亲的中年危机式自我探索、新奇的爱情观念以及人生智慧。

Two college friends, now in their thirties, admire each others' lives and feel trapped in their own. Wes, tied to a demanding career and responsibilities to family, extends a work trip to drag his dispirited artist friend Luke to find Luke's "one that got away."

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A place is an obelisk, reaching to the sky; down again to a point in the ground. Not a solid point, but a hesitant, mysterious one (some say always shifting). Ripples of life arch out from its base in unexpected ways. The obelisk series is an informal collecting of time and place haphazardly documented by two perambulating filmmakers.